Author: aninditaroy444

The following are the capsule reviews for YODHA and ARTICLE 370:
YODHA:Siddie-pooh you are pushing forty, and still banking on your boyish looks to set the box-office by storm.And What’s this with Bong bashing by the way and that too in the first reel itself? Please inform your secretary that Bongs are everywhere including US and Bongoland.And mocking Shahrukh Khan would get you nowhere while one compares the body of work of yours and his. Baisakhi mein Bhangra pale mast rahe “Bangali”. Rest can be dicussed over “Koffee with Karan”.
ARTICLE 370: This movie is similar to the Kashmir Files and the anti-Pakistan jabbering is so hackneyed in Bollywood that a novel attempt with good screenplay, great cinematography and powerhouse acting induces a yawn or two.Recommended for serious audiences.

SHAITAAN: What’s up with you Kajol? Throwing Rabindra Rachonaboli at Mr Devgn for climax inspirations #spoileralert (ref: Jokher Dhan) Well poor Ajay has to chase the box-office to keep wifie happy and he knows that the audience laps it up when he buries humans six-foot deep, dead or alive! This movie can be best described as a psychological thriller and I was expecting that the daughter would get out of Shaitaan’s spell and kill the demon herself the Bollywood way. The family is pretty Indian-they slap and then hug-it’s all in the family. Madhavan’s devilish avatar triggers comic relief rather than fear or disgust. Even when he pulls out his tongue, you think of Einstein’s famous pose rather than black magic.This movie is certainly not of the horror genre- a simple tweaking of the background score and camera angles could have made it one.The movie is devoid of any song except for the end credits so that the negative murmurs of the audience rushing out cannot be heard. Coming from someone who made Tanaji-it’s a sure letdown. This movie is a make-shift job-you can watch it if you are intrigued by the trailer and want to watch it on the big screen. Don’t dig deeper (pun intended!) 

TERI BAATON MEIN AISE ULJHA JIYA: If you think that the movie name is a mouthful, if you think that the critics are panning the movie, then think again because this movie is a handful of romance, comedy, sci-fi and charm that will give you sheer joy and a sense of contentment. The unmissable swag of Shahid Kapoor, Kriti Sanon’s weed-thin body and poker-faced expressions and the tied-together bravura performance of the ensemble cast comprising of  Dimple Kapadia and Dharmendra are bound together by a well-woven screenplay that is witty in parts and breathtakingly fresh and quite futuristic too. The climax was a little odd but in keeping with the popular belief that humans are  way ahead than robots in intelligence and execution. You will enjoy the foot tapping music and Shahid’s lighting-fast dance moves.You are not legit if you do not watch this movie this Valentine week. 

MAIN ATAL HOON:Touted as a vanity vehicle for BJP, this movie is a poignant tale of India’s three term serving Prime Minister, Atal Bihari Vajpayee who was not only an astute statesman but also a distinguished poet. The cinematography is period-appropriate and the dialogues are pitch-perfect and are delivered with much sincerity and aplomb. Pankaj Tripathy plays the titular role with perfection and disarming charm. There is a brief romance potrayed beautifully but it is not solemnised.The couple meets after a long hiatus but in true bollywood fashion, his paramour looks the same with black hair and bears no sign of aging. Prosthetic makeup plays an important role in this movie and Tripathi’s body language and mannerisms are true to the character he plays. There is not much jingoism and crisp editing makes this movie a delectable watch. This movie is suitable for family audiences and shows how good oratory is essential to gain the trust of the people of its motherland.
ANYONE BUT YOU: Anything but good, this insipid movie is a far cry from the breezy romcoms that float up around the Valentine month. This kiddie pooh script is incoherent and lame although it has a few raunchy scenes. The female protagonist is always dressed in low neck tops or revealing swimwear and the male protagonist also follows suit. The climax is predictable and yawn-worthy and the audience would thank the makers of this tortureous movie for canning it at one hour forty seven minutes. Unwatchable-two thumbs down.
FIGHTER: Mounted on a gargantuan frame along with generous doses of special effects, this movie falls flat on its face due to a hackneyed script with a predictable climax and ho-hum performances by the lead actors. A tattered movie full of jingoism, it fails to connect with the audience. Even Hrithik’s dance moves fail to grab any eyeballs. The nagging pressure to create a mass entertainer that would reach the 1000 crore club looms so large that creativity takes a backsest.Watch it at your own risk.

MERRY CHRISTMAS: A riveting thriller, a mix of romance and intrigue and a cinematic experience that will give you sheer joy. The movie starts as a romcom but you sense something is amiss with the odd pairing of Katrina Kaif and Vijay. It’s good to see that Katrina is looking at bound scripts instead of her act of hop, skip and jumparama in some Khantastic movie post her making Vicky Kaushal an honorable man who is also a powerhouse performer himself. The movie is well-knit thanks to efficient editing and a scene-appropriate background score and delightful songs with meaningful lyrics. OTT queen Radhika Apte and Luke Kenny make brief but impactful appearances. Set in the 1980s Bombay with Liril and Limca ads playing in the background, the cinematography is dark and awesomely apt in keeping with this brooding film. I do not want to spoil the fun by revealing the story. I just wish to convey that I did not like the climax so much. The movie is based on a French novella. The ending is misogynist to say the least. Does all women want to cry on the shoulders of a man even if he is a psychopath all in the hope of an engagement ring? Watch the movie to find out your own interpretation.Katrina’s role might remind you of the real life story of yesteryear’s popular actress Mamta Kulkarni. 

DREAM SCENARIO: A wonderful funny dark comedy with the machinations of a psychological thriller. Nicolas Cage delivers his best performance with sincerity and dignity and the ensemble cast dazzles with authentic presentation. The movie is not recommended for children as it has some mildly erotic scenes which is an essential requisite tempering for a Hollywood movie. Overall, this is a concept movie, bluntly surreal and deals with the intervention of the omnipresent social media in the lives of the
millennials that can transform a normal human being into an outcast. This is a quirky movie with interjections of humor and clement horror. It does not have a happy ending as most Hollywood movies do but you would love the conceptualization and execution of this stellar movie

RENAISSANCE: A FILM BY BEYONCE: While watching this movie, I wonder why women of color have to try so hard to be accepted by mainstream America. The black musicians have a better sense of music and rhythm, but they have to shake their booties, wear blonde wigs and white makeup and put up a tits and ass show in the name of entertainment. Beyonce has a golden voice and is at the top of game in the rhythm and blues genre. After her courtship and subsequent marriage to Jay-Z, she has branched out to rap as well. A nice effort to socialize her music and act to the rest of the world. Now we are panting for Shakira to do the same.

PRISCILLA: Despite the scenes of foreplay, this movie is a boring watch.It essays the forelorn life of Priscilla Presley who is married to a megalomaniac like Elvis. Their courtship is a rollercoaster ride which is dominated by Elvis and his mood swings. The movie is set in the naughty sixties where sex and radio were the only recreation. And women had to flutter their false eyelashes and wear falsies to get male attention.The movie also depicts narcotics and substance abuse which is kind of an imperative for creative people. The movie does not display Elvis’s music and his songs are part of the background score.The movie ends with the exit of Priscilla from Elvis’s estate Graceland with Dolly Parton’s “I will always love you” playing in the background.If you feel for Princess Diana and our homegrown Dimple Kapadia you will probably like this movie.This movie is not recommended for children. 

ReplyForwardAdd reaction

SAM BAHADUR (Sam the Brave): This biopic of General Sam Manekshaw who rose to the rank of Field Marshal during the Bangladesh Liberation Movement in 1973 is an engaging watch. The advantage of a biopic is that the director has a ready template to work on and Meghna Gulzar, with her in-depth research and crisp editing makes it a worthwhile watch. While watching the movie, you would not feel that you are watching Vicky Kaushal- yes his performance is that convincing. His gait and mannerisms sync up really well with the character of Manekshaw. The ensemble cast of Fatima Sana Sheik as Mrs G, Sanya Malhotra as Mrs Manekshaw, Neeraj Kabi as Jawaharlal Nehru performs really well. The cinematography is fantastic and is commensurate with the period details from 1933 to 1973. Manekshaw fought for the British in 1933 for World War ll and in the Sino-Indian war in 1962 and 1967 with much success. Clippings from the past are shown with a little help from VFX and add to the proceedings flawlessly.This movie is kind of a documentary with minimal music well composed by Shankar Ehsaan Loy. The movie would uplift the nationalism within you and help you understand Indian history better which is as The Guardian puts it “one damned incident after the other”. The movie ends with Manekshaw’s demise in 2008 and his last words were “Its OK”. Watch this movie even if you are not a fan of the Indian Army for an excellent cinematic experience. 

NAPOLEAN: Set in the 18th century, this movie essays the cradle to grave life story of the French Revolutionary Napolean Bonaparte-his meteoric rise and subsequent fall resulting in his exile at St. Helena where he eventually succumbed to death. The cinematography is breathtaking and captures the look and feel of the bygone era. The battle scenes are elaborate and use of special effects is great. The movie starts with the execution of the French queen Marie Antoinette for treason leading to the rise of Napolean as the French Emperor. The movie is not suitable for children and sexual innuendos would have been sufficient in place of the erotica. Oscar winner Joaquin Phoenix is superlative as Napolean and so is Vanessa Kirby who plays his wife Josephine. Aamir Khan might have taken inspiration from Napolean as he divorces his first wife Josephine, sires an illegitimate child and then reconnects with his first wife to gain her mental support during his battles. Interestingly in the war scenes, no one wears protective headgear or eye-guard. The autocratic Emperor, Napolean loses the battle of Waterloo and goes into exile. The battle scenes are not dramatized well and are kinda boring. The background gospel music is exquisite so much so that you would feel like listening to it as the end credits roll. The movie depicts Napolean as a villain citing the several lives lost during his conquests and his lack of reforms as a leader. This period movie will appeal to history aficionados especially fans of European period drama.